It was a beautiful day in London and we took some fun photos in Trafalgar Square to take advantage of that blue sky.
Next, lunch, and I had found the most perfect place in the same road as the theatre: the St Martin's Lane Hotel, which is very discreet and, inside, full of Instagrammable photo opps. We enjoyed their signature cocktail, coco-ito, and I had seared tuna with a sesame crust.
Then it was down to the Coliseum for the matinee performance. Matinees are perfect in winter, I always think, because dark, cold evenings are very off putting to venture out. The Coliseum is my favourite theatre: it's beautiful and the seats have a large pitch and are very comfortable. Also, the women's washroom I visited is BIG, which in itself is unusual in a Victorian theatre.
The performance started with a video where dance luminaries and former artistic directors described the company, its character and its evolution.
I have always preferred ENB to the Royal Ballet, which has become (to my mind) a bit too corporate and formal. ENB has always had an air of free spirit about it, while latest artistic director Tamara Rojo has brought more balletic precision to the corps.
I became a lover of ballet in my early years as a newspaper reporter when I was given tickets to see La Fille Mal Gardee because the deputy editor couldn't go. I actually hated that one (and still dislike the works of that particular choreographer) but persevered and took my mum to a performance of a triple bill in a big top in Exeter. We were hooked. Ballet can be incredibly immersive. I find myself getting lost in the beautiful music, the lithe bodies so graceful, and the other-worldliness of the stage and theatre.
I Saw Rudolf Nureyev Twice
Over the years I have seen some wonderful performances. I saw Rudolf Nureyev twice, in 1983 and 1986. He was nearing the end of his career but still had the most amazing charisma. It brought memories back of how some devoted followers had thrown red roses from a box at the Coliseum, and Rudolf picked them up and was so gracious as he accepted them. You could tell he lived for performing.
One of my specialist subjects should I ever go on Mastermind is the Russian dancer Nijinsky, and I have seen recreations of some of his choreography and productions (my absolute favourites) including Nureyev in L'Apres Midi D'Un Faun and Le Spectre de la Rose. The latter, a short work, is to my mind one of the most beautiful of ballets. A young girl clutches a rose as she drifts off to sleep, remembering a dance. During the night, the spirit of the rose leaps through the window and dances as she sleeps.
Back to the ENB Gala Performance, and the first act was a vibrant and spirited collection of excerpts, both modern and traditional. A few of them I had never seen before so it was a brilliant taster to find ballets you would like to see full-length, including for me Giselle, because ENB's modern new version looks entirely different to the traditional version I saw years ago.
After the interval and a glass of champagne, the second act was one of ENB's most celebrated pieces, Etudes. A fantastic performance full of light and shade.
Are you a balletomane? Which are your favourite productions? Do share in the comments.
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Now it's time for #WowOnWednesday, the weekly fashion, beauty and travel link-up that helps bloggers find new readers, and readers to find new blogs to enjoy! Please take a few minutes to visit some of the blogs and leave a comment, to make it worth their while taking part.
Last week's most popular post was by Hilda from Over The Hilda with her Top Tips for Travelling to Morocco.
My favourite post was by Shauna from Lipgloss and Lace and her post Walk On the Wild Side. Now that I've got my pink boots, I'm coveting her gorgeous pink faux fur jacket! Look how it pops against the snowy background.
It was a fun trip wasn't it. Thank you x
ReplyDeleteWhat a lovely day! Your pink boots are yummy!!
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